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2012-12-01 "¡Mambo! Dudamel and the Simón Bolívar Symphony Orchestra" 2

L and I went to a concert last night. I should note: when thinking about the concert, my ability for rational thought is diminished, as is my power to construct coherent sentences. In the photo, two people cheer and wave the Venezuelan flag during a curtain call at the end of the concert, in celebration of the homeland of both the conductor and the orchestra.

Now, let's go back in time. Gustavo Dudamel is L's favorite conductor. While searching for him on YouTube some number of years ago, I bumped into a video of him leading what was at the time the Simon Bolivar _Youth_ Orchestra. It was by far the most moving orchestral performance I had ever seen; I still can't watch or listen to it without dancing in my chair.

And then I found the encores, which redefined for me what an orchestra could be, and how it could behave. They combined joy, pride, and musicianship in a way that I had never seen from any other orchestra.

So suffice it to say that when a friend pointed out that they'd be performing at Berkeley's Zellerbach Hall, my wallet practically leapt out of my pocket and threw itself at the ticket ordering website. And man, was it worth it!
SONY NEX-6, f/3.2 @ 19 mm, 1/15, ISO 3200, No Flash

2012-12-01 "¡Mambo! Dudamel and the Simón Bolívar Symphony Orchestra" 2

2012-12-01 "¡Mambo! Dudamel and the Simón Bolívar Symphony Orchestra" 2

L and I went to a concert last night. I should note: when thinking about the concert, my ability for rational thought is diminished, as is my power to construct coherent sentences. In the photo, two people cheer and wave the Venezuelan flag during a curtain call at the end of the concert, in celebration of the homeland of both the conductor and the orchestra.

Now, let's go back in time. Gustavo Dudamel is L's favorite conductor. While searching for him on YouTube some number of years ago, I bumped into a video of him leading what was at the time the Simon Bolivar _Youth_ Orchestra. It was by far the most moving orchestral performance I had ever seen; I still can't watch or listen to it without dancing in my chair.

And then I found the encores, which redefined for me what an orchestra could be, and how it could behave. They combined joy, pride, and musicianship in a way that I had never seen from any other orchestra.

So suffice it to say that when a friend pointed out that they'd be performing at Berkeley's Zellerbach Hall, my wallet practically leapt out of my pocket and threw itself at the ticket ordering website. And man, was it worth it!